STITCH STUDIES
STITCH STUDIES are small, exploratory pieces where ideas first take shape. they begin as experiments—tests of line, texture, rhythm, and material—yet they often become complete works in themselves. unlike my quilts, which hold larger architectural or narrative structures, these studies stay close to the gesture: a single line of thread, a fragment of cloth, a moment of attention made visible.
many of them use scraps from family textiles, remnants from larger projects, or pieces of fabric that carry emotional weight. in these small works, i can try out new forms of mapping, layering, or stitched diagramming without the pressure of scale.
many of them use scraps from family textiles, remnants from larger projects, or pieces of fabric that carry emotional weight. in these small works, i can try out new forms of mapping, layering, or stitched diagramming without the pressure of scale.
STITCH STUDIES are where i think with my hands, where intuition leads, and where the smallest decisions reveal something essential about memory, care, and the domestic histories embedded in cloth. they are beginnings, but they are also endings—perfect in their incompleteness, whole in their own quiet way.
BUY STITCH STUDIES
BACK TO HOME︎︎︎
BUY STITCH STUDIES
BACK TO HOME︎︎︎
DOMESTIC LABOR™
jennifer is a textile artist whose quilt‑based practice centers memory, domestic space, and the often‑invisible labor of women. working with repurposed fabrics and found imagery, she creates layered compositions that transform everyday materials into intimate narratives. her work reflects the quiet strength of the women in her family, whose domestic practices and resourcefulness shaped her understanding of care, creativity, and survival.
before dedicating herself to her art full time, jennifer spent years working in architecture, a background that continues to inform her sensitivity to structure, materiality, and the built environment. this shift from architecture to textile art reflects a return to the tactile, domestic, and intergenerational forms of making that have always grounded her.
before dedicating herself to her art full time, jennifer spent years working in architecture, a background that continues to inform her sensitivity to structure, materiality, and the built environment. this shift from architecture to textile art reflects a return to the tactile, domestic, and intergenerational forms of making that have always grounded her.
raised in an immigrant household where mending, saving, and reusing cloth were both necessity and tradition, jennifer draws deeply from these inherited gestures. she is drawn to the emotional and material histories embedded in textiles — the softness of worn fabric, the scent of a childhood linen closet, and the traces of unpaid labor that linger in household materials. through quilting, hand‑sewing, and the slow, repetitive acts of repair, she honors these histories while reimagining domestic labor as a site of authorship and artistic expression.
jennifer’s work weaves together personal memory and collective lineage, challenging the boundaries between craft and contemporary art while elevating the everyday into something quietly resonant.
jennifer’s work weaves together personal memory and collective lineage, challenging the boundaries between craft and contemporary art while elevating the everyday into something quietly resonant.
DOMESTIC SPACE
EMBODIED STORIES
©MMXXI
Integer turpis massa varius